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	<title>RAU-TU | Reviews especializados | Atividade do grupo</title>
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	<pubDate>Wed, 08 Feb 2012 07:00:00 +0000</pubDate>
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				<guid>http://www.rau-tu.com/activity/p/5242/</guid>
				<title><![CDATA[New external post Sigma SD1 becomes SD1 Merrill and gains (much) keener price tag from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5242/</link>
				<pubDate>Wed, 08 Feb 2012 07:00:00 +0000</pubDate>

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						<p>New external post <a href="http://www.dpreview.com/news/2012/02/08/Sigma_SD1_Merrill_price_drop" rel="nofollow">Sigma SD1 becomes SD1 Merrill and gains (much) keener price tag</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Sigma's new CEO, Kazuto Yamaki has announced the re-branding and re-pricing of the company's flagship camera. The SD1 DSLR will now be know as the SD1 Merrill, in honor of the Dick Merrill, inventor of the Foveon sensor technology on which it is based. The price will also be revised, falling to what should be a street price of around $2,299, which Yamaki attributes to work conducted to reduce production costs of the sensor. Despite these changes, his letter promises the performance and characteristics of the sensor have not changed. To avoid disappointing existing SD1 customers, Sigma will offer a support [...]</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5241/</guid>
				<title><![CDATA[New external post Cosina announces Nokton 17.5mm F0.95 lens for Micro Four Thirds from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5241/</link>
				<pubDate>Wed, 08 Feb 2012 03:55:50 +0000</pubDate>

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						<p>New external post <a href="http://www.dpreview.com/news/2012/02/08/Cosina_Voigtlander_17p5mm_F0p95" rel="nofollow">Cosina announces Nokton 17.5mm F0.95 lens for Micro Four Thirds</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Cosina has announced the Voigtländer Nokton 17.5mm F0.95 manual focus prime lens for the Micro Four Thirds system. The lens gives a 35mm equivalent field-of-view on the system and has been designed with silent, stepless aperture control for videography. The lens offers a wider-angle alternative to the company's Nokton 25mm F0.95. The Japanese price translates as around $1500. (via DCWatch)</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5232/</guid>
				<title><![CDATA[New external post Olympus adds 75mm F1.8, 60mm F2.8 Macro and flash to Micro Four Thirds lineup from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5232/</link>
				<pubDate>Wed, 08 Feb 2012 03:24:55 +0000</pubDate>

				<description>
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						<p>New external post <a href="http://www.dpreview.com/news/2012/02/08/Olympus_75mm_60mm_Macro" rel="nofollow">Olympus adds 75mm F1.8, 60mm F2.8 Macro and flash to Micro Four Thirds lineup</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Alongside its E-M5 enthusiast-class mirrorless camera, Olympus has launched the M.Zuiko Digital ED 75mm F1.8 and M.Zuiko Digital 60mm F2.8 Macro lens to its Micro Four Thirds lineup. It's also announced the FL-600R the latest in its range of wireless-compatible flashguns and its first to feature an LED continuous lamp for video work. The 75mm lens is a higher-end portrait lens than the existing 45mm F1.8 we rather like, and features the same solid build-quality as the premium 12mm F2.0. Meanwhile the 60mm Macro offers true 1:1 magnification and is weather-sealed to match the E-M5.</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5226/</guid>
				<title><![CDATA[New external post Olympus annoucnes TG-820 back-lit CMOS rugged camera from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5226/</link>
				<pubDate>Wed, 08 Feb 2012 02:10:25 +0000</pubDate>

				<description>
					<![CDATA[
						<p>New external post <a href="http://www.dpreview.com/news/2012/02/08/Olympus_TG-820_announced" rel="nofollow">Olympus annoucnes TG-820 back-lit CMOS rugged camera</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Olympus has updated its rugged offerings with the TG-820 iHS. It's based on a 12MP back-lit CMOS sensor, which allows it to keep up with the recent trend of Full HD-capable underwater cameras. The back-lit sensor has prompted the company to apply its 'iHS' branding, indicating 'Intelligent High-Sensitivity and High Speed' capabilities.</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5227/</guid>
				<title><![CDATA[New external post Just posted: Olympus OM-D E-M5 hands-on preview from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5227/</link>
				<pubDate>Wed, 08 Feb 2012 02:04:47 +0000</pubDate>

				<description>
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						<p>New external post <a href="http://www.dpreview.com/previews/olympusem5/" rel="nofollow">Just posted: Olympus OM-D E-M5 hands-on preview</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> The E-M5 is the first of Olympus' OM-D range of Micro Four Thirds cameras and is styled to look like the its classic OM series SLRs. We've had a chance to use one of the most rumored and speculated-about cameras of recent years and have prepared a full, hands-on preview. We take a look at the camera's features and explain its levels of customization. Click here to find out more about what goes on behind the E-M5's pretty exterior.</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5228/</guid>
				<title><![CDATA[New external post Olympus announces SZ-31MR iHS high-end compact superzoom from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5228/</link>
				<pubDate>Wed, 08 Feb 2012 02:00:03 +0000</pubDate>

				<description>
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						<p>New external post <a href="http://www.dpreview.com/news/2012/02/08/Olympus_SZ-31R_announced" rel="nofollow">Olympus announces SZ-31MR iHS high-end compact superzoom</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Olympus has launched the SZ-31MR iHS, a 24x superzoom featuring the company's iHS intelligent high-sensitivity / high-speed technology. This stems from its use of a 16MP back-lit CMOS sensor that allows high-speed capture and 1080p Full HD video capture. The camera features a 25-600mm equivalent zoom lens and twin TruePic V processors and a high-res 920k dot touchscreen.</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5229/</guid>
				<title><![CDATA[New external post Olympus announces OM-D E-M5 weather-sealed Micro Four Thirds camera from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5229/</link>
				<pubDate>Wed, 08 Feb 2012 02:00:00 +0000</pubDate>

				<description>
					<![CDATA[
						<p>New external post <a href="http://www.dpreview.com/news/2012/02/08/Olympus_OM-D_E-M5_announced" rel="nofollow">Olympus announces OM-D E-M5 weather-sealed Micro Four Thirds camera</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Olympus has finally announced the long-rumored E-M5, the first of its OM-D range of Micro Four Thirds cameras. The E-M5 is built around a 16MP sensor and features the company's latest 5-axis image stabilization system that works for both stills and movies. It can shoot 1080i60 movies in MOV format (h.264 compression) and includes a 1.44M dot EVF in its weather-sealed magnesium alloy body.</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5225/</guid>
				<title><![CDATA[New external post Pentax adds tethered shooting to 645D medium-format DSLR from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5225/</link>
				<pubDate>Tue, 07 Feb 2012 22:00:00 +0000</pubDate>

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						<p>New external post <a href="http://www.dpreview.com/news/2012/02/07/Pentax_645D_transmitter_tethering_software" rel="nofollow">Pentax adds tethered shooting to 645D medium-format DSLR</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Pentax has announced tethering software to allow the 645D to be triggered from a computer and its images transferred across to a designated location. The Pentax Image Transmitter software, available for both Mac and Windows, doesn't allow any other camera control over the camera but is still likely to broaden the camera's appeal for studio work. It will be available from March 2012 at a recommended price of $199.99.</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5223/</guid>
				<title><![CDATA[New external post Nikon D800 preview updated with side-by-side comparisons from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5223/</link>
				<pubDate>Tue, 07 Feb 2012 20:04:25 +0000</pubDate>

				<description>
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						<p>New external post <a href="http://www.dpreview.com/news/2012/02/07/Nikon_D800_preview_updated" rel="nofollow">Nikon D800 preview updated with side-by-side comparisons</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> We've managed to get a bit more information about the Nikon D800E and have had a little longer to prepare our side-by-side comparison images, so have updated our preview. Nikon has given us more detail about how the D800E cancels-out the effect of its optical low-pass filter and we're now able to show how the D800 compares to the D700 and Canon EOS 5D Mark II. Click here to read our updated preview.</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5221/</guid>
				<title><![CDATA[New external post Canon announces SX260HS 20x superzoom with GPS and SX240HS without from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5221/</link>
				<pubDate>Tue, 07 Feb 2012 05:00:00 +0000</pubDate>

				<description>
					<![CDATA[
						<p>New external post <a href="http://www.dpreview.com/news/2012/02/07/Canon_SX260HS_SX240HS" rel="nofollow">Canon announces SX260HS 20x superzoom with GPS and SX240HS without</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Canon has launched two SX series compact superzooms, the SX 260 IS and SX 240 IS. The difference between the two is that the SX 240 IS doesn't include GPS and isn't being announced by Canon USA, so may not be widely available if it reaches North American shores. Beyond that, both are 20x compact superzooms with 25-500mm equivalent lenses featuring the company's latest 7-mode image stabilization system. They feature 460k dot screens and the ability to shoot burst of images at 10.3 frames per second. Both use 12MP back-lit CMOS sensors.</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5219/</guid>
				<title><![CDATA[New external post Just Posted: Nikon D800 hands-on preview from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5219/</link>
				<pubDate>Tue, 07 Feb 2012 04:18:15 +0000</pubDate>

				<description>
					<![CDATA[
						<p>New external post <a href="http://www.dpreview.com/news/2012/02/07/nikon_d800_preview" rel="nofollow">Just Posted: Nikon D800 hands-on preview</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> We've had some time with a pre-production D800 and have prepared a detailed in-depth preview. Nikon's latest DSLR boasts core technology borrowed from the top-end D4, married with a 36.3MP CMOS sensor that comfortably eclipses the rest of the DSLR market in resolution terms. As well as first impressions of handling and operation, and an in-depth look at the D800's specifications we've also dived a little deeper into the D800E, the D800's sister model, which cancels-out the effect of its anti-aliasing filter.</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5220/</guid>
				<title><![CDATA[New external post Nikon D800 and D800E 36MP full-frame DSLRs announced from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5220/</link>
				<pubDate>Tue, 07 Feb 2012 04:00:00 +0000</pubDate>

				<description>
					<![CDATA[
						<p>New external post <a href="http://www.dpreview.com/news/2012/02/07/Nikon_D800_D800E_launch" rel="nofollow">Nikon D800 and D800E 36MP full-frame DSLRs announced</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Nikon has announced the D800 and D800E 36MP full-frame DSLRs. The pixel count of the long-awaited replacement for the D700 means it also trumps the D3X as the highest-resolution camera in Nikon's lineup. As well as the 'stock' D800, Nikon has also revealed a more expensive model, the D800E that will be free from the effects of an anti-aliasing filter. Aimed at studio and landscape professionals the D800E should theoretically begin to rival medium format digital equipment in terms of resolution.</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5205/</guid>
				<title><![CDATA[New external post Tamron releases image-stabilized 24-70mm F2.8 zoom from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5205/</link>
				<pubDate>Mon, 06 Feb 2012 16:34:11 +0000</pubDate>

				<description>
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						<p>New external post <a href="http://www.dpreview.com/news/2012/02/06/tamron24-70_2p8_divcusd" rel="nofollow">Tamron releases image-stabilized 24-70mm F2.8 zoom</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Tamron has announced a 24-70mm F2.8 zoom for full frame cameras that features inbuilt optical stabilisation - a first in this class of lens. The SP 24-70mm F/2.8 Di VC USD, to give it its full name, also incorporates an Ultrasonic Silent Drive motor for autofocus, which allows full-time manual focus. The lens is moisture-resistant and features a circular aperture diaphragm for the attractive rendition of background blur. It will be produced in Canon, Nikon and Sony mounts, with price and availability to be confirmed at a later date.</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5206/</guid>
				<title><![CDATA[New external post Article: An introduction to OLED displays from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5206/</link>
				<pubDate>Mon, 06 Feb 2012 15:13:48 +0000</pubDate>

				<description>
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						<p>New external post <a href="http://www.dpreview.com/articles/7122225983/an-introduction-to-oled" rel="nofollow">Article: An introduction to OLED displays</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Until recently, LCD was the only technology used for digital camera displays. This is beginning to changes with the emergence of Organic Light Emitting Diode (OLED) technogy. OLED offers a series of advantages over LCDs, particularly for photographers. Whether it's the display panels on the back of the Olympus PEN E-P3 or the microdisplays used as electronic viewfinders in Sony's SLT-A77, OLED is starting to make an impact on the camera market. Ron Mertens, editor-in-chief of OLED-Info, explains some of the advantages and disadvantages of this type of display, and gives an insight into some of the latest developments in this emerging [...]</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5204/</guid>
				<title><![CDATA[New external post Article - an introduction to OLED displays from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5204/</link>
				<pubDate>Mon, 06 Feb 2012 15:13:48 +0000</pubDate>

				<description>
					<![CDATA[
						<p>New external post <a href="http://www.dpreview.com/articles/7122225983/an-introduction-to-oled" rel="nofollow">Article - an introduction to OLED displays</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> For years digital cameras have almost invariably used Liquid Crystal Display (LCD) screens to compose and playback images, but an increasing number are now employing the latest Organic Light Emitting Diode (OLED) technology instead. Notable examples include the high-resolution electronic viewfinder employed by Sony in its SLT-A77, SLT-A65 and NEX-7 models, and the rear touchscreen on the Olympus PEN E-P3. Ron Mertens, editor-in-chief of OLED-Info, explains some of the advantages and disadvantages of this type of display, and gives an insight into some of the latest developments in this emerging field.</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5181/</guid>
				<title><![CDATA[New external post HDR used properly is appropriate for photojournalism, says Unified Color&#039;s Omvik from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5181/</link>
				<pubDate>Fri, 03 Feb 2012 20:26:53 +0000</pubDate>

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					<![CDATA[
						<p>New external post <a href="http://www.dpreview.com/news/2012/02/03/HDR_in_photojournalism" rel="nofollow">HDR used properly is appropriate for photojournalism, says Unified Color&#039;s Omvik</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Are High Dynamic Range photos appropriate for illustrating news? That's the debate that's been started by the Washington Post's use of an HDR image on its front page in January. Sean Elliot, president of the National Press Photographers Association came down firmly against it, saying, 'HDR is not appropriate for documentary photojournalism.' John Omvik, Marketing VP with HDR software maker Unified Color understandably disagrees. He's written us a response arguing that what we see is closer to HDR than, say, a mono photo shot with Tri-X film.</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5179/</guid>
				<title><![CDATA[New external post Kenko-Tokina Reflex 300mm F6.3 compact telephoto for Micro Four Thirds  from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5179/</link>
				<pubDate>Fri, 03 Feb 2012 17:30:20 +0000</pubDate>

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						<p>New external post <a href="http://www.dpreview.com/news/2012/02/03/tokinareflex300_6p3" rel="nofollow">Kenko-Tokina Reflex 300mm F6.3 compact telephoto for Micro Four Thirds </a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Kenko-Tokina has added the mirrors back into mirrorless with the launch of an ultra-compact Reflex 300mm F6.3 for Micro Four Thirds. This fixed-aperture, manual focus lens revives the catadioptric lens design that was especially popular in the 1970s and '80s for producing small high-magnification telephoto lenses. With a 55mm filter diameter and weight less than 300g, this is possibly the smallest lens of this type that's ever been made for stills cameras. The spec is rounded-off with a minimum focus of 0.8m and 0.5x maximum magnification, making the lens potentially interesting for chasing insects and the like, just as long as [...]</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5180/</guid>
				<title><![CDATA[New external post Kenko-Tokina exhibits mockup of image-stabilised 70-200mm F4 at CP+ from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5180/</link>
				<pubDate>Fri, 03 Feb 2012 16:43:12 +0000</pubDate>

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						<p>New external post <a href="http://www.dpreview.com/news/2012/02/03/tokina_70-200_4-mockup" rel="nofollow">Kenko-Tokina exhibits mockup of image-stabilised 70-200mm F4 at CP+</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Kenko-Tokina will exhibit a mockup of a 70-200mm F4 telephoto zoom that features both a ring-type ultrasonic autofocus motor and optical image stabilization at the CP+ trade show in Japan. The AT-X Pro SD 70-200 F4 (IF) FX will be the company's first stabilized lens, and will likely be especially interesting to Nikon SLR users who currently have no option that's directly comparable to Canon's popular and highly-regarded 70-200mm F4 designs. Further details are limited, but the lens appears to feature both internal zoom and focus mechanisms, and has a usefully-close minimum focus distance of 1m. (via Megapixel.il)</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5171/</guid>
				<title><![CDATA[New external post Fujifilm says X-Pro1 will set you back around $2300. UK probably Ã‚Â£1980 from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5171/</link>
				<pubDate>Thu, 02 Feb 2012 21:56:35 +0000</pubDate>

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						<p>New external post <a href="http://www.dpreview.com/news/2012/02/02/Fujifilm_X-Pro1_price" rel="nofollow">Fujifilm says X-Pro1 will set you back around $2300. UK probably Â£1980</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Fujifilm USA has announced its recommended pricing for the X-Pro1 high-end mirrorless camera. The MSRP will be $1699 for the body and $599-$649 for the lenses, meaning you can expect it to create around a $2300 dent in your pocket if you want to be able to take pictures with it. Canadian prices will be dollar-for-dollar equivalents. Fujifilm UK meanwhile hasn't yet announced pricing, but one of the country's retailers is taking orders at £1429 for the body and £549-599 for the lenses, which gives a good idea of how much you'll need to scrape together.</p></blockquote>
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				<guid>http://www.rau-tu.com/activity/p/5170/</guid>
				<title><![CDATA[New external post Pentax reveals K lens roadmap for 2012 and 2013 from the blog News: Digital Photography Review (dpreview.com) in the group Reviews especializados]]></title>
				<link>http://www.rau-tu.com/activity/p/5170/</link>
				<pubDate>Thu, 02 Feb 2012 17:32:42 +0000</pubDate>

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						<p>New external post <a href="http://www.dpreview.com/news/2012/02/02/pentaxlensroadmap" rel="nofollow">Pentax reveals K lens roadmap for 2012 and 2013</a> from the blog <a href="http://www.dpreview.com/news/" rel="nofollow">News: Digital Photography Review (dpreview.com)</a> in the group <a href="http://www.rau-tu.com/groups/reviews-especializados/" rel="nofollow">Reviews especializados</a><br />
<blockquote> Alongside the announcement of the K-01 mirrorless camera, Pentax has updated its K-mount lens roadmap to include planned releases for 2012 and 2013. In a PDF document published on the company's website, it indicates that three lenses will be introduced during the course of this year - a 50mm 'standard' lens, a superzoom in the 18-200mm class, and a super telephoto in the 500-600mm range. Four zooms covering the full wideangle to telephoto range are projected to follow later, alongside a 1.4x teleconverter.  </p></blockquote>
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