RAU-TU

French manufacturer MicroOLED has announced a 5 million dot OLED suitable for use as an electronic viewfinder – far beyond the resolution of the current best units used in recent Sony cameras. The 5.2M effective dots mean it can display 1280×1024 pixel resolution in color, assuming a four-dots-per-pixel layout. Imaging Resource has written an  article in which they suggest it could spell the end of the optical viewfinder. (From Imaging Resource)

Software maker Daminion has announced Daminion Server, a network-friendly digital asset management program. The software allows multiple users to access a centrally-held archive of images, with version control and user access controls to ensure images are kept safe and only edited or accessed by authorized people. It also ensures multiple people don’t work on the same file simultaneously, avoiding data loss. It includes extensive control of metadata in a wide range of file types to help manage files within the archive. It is designed to integrate with standalone image and document editors such as Photoshop and InDesign, to allow users to [...]

Tokina has announced an updated version of its highly-regarded 11-16mm F2.8 wideangle zoom for APS-C SLRs. The AT-X 116 PRO DX II adds a ‘Silent Drive-Module’ (SD-M) focus motor that enables it to autofocus on all Nikon SLRs. The latest version also includes improved surface coatings (which are particularly important for wide-angle lenses) and adds a ‘GMR’ sensor to locate the focus element’s current position, to speed up autofocus – a technology first introduced on the AT-X 16-28 F2.8 PRO FX full-frame wide-angle. US distributor THK Photo tells us the Nikon version should be available around April with a Canon version following [...]

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PetaPixel has published an excellent response from a photographer to a Seattle-area bride criticizing the pricing of wedding photographers. In a remarkably calm response, Nikki Wagner details the expenses connected to her wedding photography business, dismissing the idea that wedding photographers set their prices high simply because they can. After reading Wagner’s response it’s understandable why the bride is having so much trouble finding an ‘exceptional, amazingly talented, fun photographer’ that she also deems ‘decently priced.’ (From PetaPixel)

PetaPixel has published an excellent response from a photographer to a Seattle-area bride criticizing the pricing of wedding photographers. In a remarkably calm response, Nikki Wagner details the expenses connected to her wedding photography business, dismissing the idea that wedding photographers set their prices high simply because they can. After reading Wagner’s response it’s understandable why the bride is having so much trouble finding an ‘exceptional, amazingly talented, fun photographer’ that she also deems ‘decently priced.’ (From PetaPixel)

Astrodesign, a high-end Japanese video manufacturer has signed-up to the Micro Four Thirds system. It offers a 4K camera system (including separate camera head, processor and control unit) that captures 3840×2160 4K video at 60p. The company suggests its use for movie and broadcast shooting, live monitoring of medical operations and other applications requiring super-high resolution video. While the move is unlikely to directly affect most Micro Four Thirds camera users, it could boost the system’s position within the video industry, encouraging the creation of an eco-system of accessories for video makers using the system.

Tamron and Tokina have joined the Micro Four Thirds group, meaning all three major third-party lens makers are likely to produce optics for the system. No further details of their intentions have been given. The announcement comes just after Sigma announced its first lenses for both Sony’s E-mount and Micro Four Thirds – both lenses that we think make more sense on APS-C than the Micro Four Thirds format. It will be interesting to see whether Tamron and Kenko Tokina develop lenses specifically for the smaller format. Meanwhile high-end video manufacturer Astrodesign has also joined the consortium, and released a Micro [...]

Pentax has announced the Optio VS20, possibly the first compact camera with a second shutter button and zoom lever for portrait-orientation shooting. Beyond that it’s a pretty well-specified 20x compact superzoom, featuring a 28-560mm equivalent zoom lens with sensor-shift image stabilization for its 16MP CCD. It’s not the smallest 20x zoom camera we’ve seen but it manages to include a anti-glare-coated 460k dot 3.0″ LCD and costs $249/£199, so it’s not uncompetitive.

DxO Labs has added the Canon S100 and Panasonics’ GF3, G2 and G1 to the list of cameras supported by its DxO Optics Pro software. The cameras are added to both the Standard and Elite versions of the Optics Pro v7.2, that the company says are more stable than before. Version 7.2 also gains the ability to import Optics Pro v6 databases containing the image processing settings for existing images.

Amateur Photographer magazine has published an interesting story about a copyright infringement case of similar, but not directly copied, images. The issue of copyright is thorny, contentious and often misunderstood but this case sheds some light on the current attitude of courts in the UK. Despite significant differences between the two images (there was no implication that the second image was a duplicate of the first), the court found that the second image copied substantially from the ‘creative expression’ of the first (that is the elements that can be protected by copyright in the original image, including a consideration of the [...]

Steve Jobs met Lytro founder Ren Ng to discuss the photographic aspects of Apple products, according to a new book about the company. Details are understandably sparse but, according to Adam Lashinsky’s book ‘Inside Apple,’ Jobs asked Ng to prepare a list of three things he’d like Lytro to do with Apple. If nothing else, the story is interesting as it suggests Jobs was as excited by the Lytro and its effect on photography as the rest of the tech community has been. It also suggests Apple’s approach to mobile photography might overlap with Lytro’s aim of creating something fun, shareable [...]

DxO Labs has added the Canon S100 and Panasonics’ GF3, G2 and G1 to the list of cameras supported by its DxO Optics Pro software. The cameras are added to both the Standard and Elite versions of the Optics Pro v7.2, that the company says are more stable than before. Version 7.2 also gains the ability to import Optics Pro v6 databases containing the image processing settings for existing images.

Kyodo News International, a Japanese news service, is reporting that Olympus will introduce a 16MP camera based on its classic OM series. The news would tie-in with a recent Olympus press advert in the UK that highlighted the letters ‘O’ and ‘M’ in the text. The report suggests such a camera would sell for over ¥100,000 (around $1300) and feature ‘high-speed autofocus and image stabilization functionality.’ Meanwhile, Japanese financial newspaper Nikkei is reporting that Sony is considering investing in Olympus and forming a business alliance. Fujifilm which, like Olympus, has extensive medical interests is also rumored to be interested. [...]

Sony has developed CMOS designs to offer improved performance on small sensors and is planning three such sensors for smartphones and similar devices. The ‘Stacked CMOS’ design builds on the backlit CMOS idea by building the light-sensitive photo element on top of the processing circuitry, rather than combining them in a single layer. This creates a greater light-sensitive area while also making more space for processing circuitry. The company has also demonstrated two feaures that use the extra circuitry space of the design.

In addition to its powerful editing capabilities, Photoshop’s actions and batch processing tools can help increase your productivity by performing tasks with little or no user intervention. Photographer and author Ellen Anon explains how to make the most of this automation, taking you step-by-step through the process of recording individual actions and incorporating them into automated routines that can be applied to multiple images in a single go.